Analysis and Review of Japanese Patchwork(Boro)and its Application in Clothing Design

Akramdastar¹

IOI Code : AACH-AACEBD
Publication : 7th.International Conference & 8th.National Conference on Civil Engineering, Architecture, Art and Urban Design(8iccacs.ir)
Abstract :
    Abstract Boro, the traditional Japanese art of fabric mending, has roots In the economic necessities of the 19th and 20th centuries. During this period, the reuse of worn-out fabrics through repeated patching became a common practice, leading to the creation of multi-layered textiles with a unique appearance. Initially a symbol of poverty, this practice Is now recognized as an example of folk art and, beyond a simple fabric repair technique, reflects the social and economic history of Japan, particularly in rural areas and during times of hardship. Rooted in necessity and frugality, this practice has gradually become known as a unique art form with Its own distinct aesthetic. Boro has not only been used as a method for repairing and extending the lifespan of clothing and textiles but also embodies Japanese cultural values such as sustainability, respect for raw materials, precision in practice, and aesthetics. This research aims to gain a deep understanding of the traditional Japanese art of patching, Boro,[1] from a historical, cultural, and technical perspective, and to investigate the possibility of applying its principles, techniques, and unique aesthetics in contemporary clothing design. The research method in this study Is based on a descriptive-analytical and qualitative approach. In the first stage, comprehensive information about the history, philosophy, techniques, and visual characteristics of Boro art will be collected through the study of library resources, research articles, historical documents, and online sources. Subsequently, by analyzing historical examples of Boro and examining case studies of contemporary artists and

Keywords : boro patchwork worn fabric japanese culture sashiko fabric scrap