Paraphrase the Europeanism motifs In the Iranian art (Qajar dynasty)

Tahereh Salimi¹

1) MSC design of the carpet.Kashan university

IOI Code : XBFZ-DDKCK
Publication : The 1st International Conference on Silk Road Scholares(icsrs.ir)
Abstract :
    Golfrang s motifs and design are ones of the useful design in the design and motifs of traditional art and rug s design. Roses flower or chicken flower s motif have been originated from the west-art and most researchers cosider this motif from EUropean motifs. Golrang design spread in to the art of Iran from safavieh period with European bowls and the Qajar period was the peak period of this current. This design from the beginning was entered in all areas of art fields such as painting and book layout, tilling and plaster- moulding. But art of carpet is the last field that has been affected by European, perhaps the reason for this is continuing of tradition in the field of design and carpet s tissue. The cities of Isfahan, Shiraz, Kashan and Tehran including the important cities that were effective in different ways considering thire place of importance in European and western accelerating and penetring and in this case Kashan painters had a special station. The wealthy and aristocratis home accumulated of all kind of European goods and fascination for western art, is one of the most important factors and effective on the grawing trend of European in Iran. This design is used in conjunction with traditional designs in the Qajar dynasty. During the first Pahlav dynasty i, the diversity of European design is increased and the principals of naturalism are also respected in its design.

Keywords : paraphrase european motifs iranian art qajar dynasty