A comparative study of how to deal with artwork in cinema and architecture based on Abbas Kiarostami s ideas

Nima hoghooghinia¹ Hamid torabi²

1) PhD student in architecture, Faculty of Engineering,Islamic Azad University, North Tehran Branch -
2) PhD student in architecture, Faculty of Arts and Architecture, Islamic Azad University, Central Tehran Branch, Iran -

IOI Code : XBKD-EBFEH
Publication : 3th. International Congress on Contemporary in Civil Engineering, Architecture and Urban Development(cautech.ir)
Abstract :
    Architecture and the city are immediately related to art, especially when it is the subject of art, or when it becomes the visual world of cinema. of all the arts , it is the cinema that embraces architecture.And the ability to show spaces and move over time makes the cinema close to architecture in a way that goes beyond the limitations of other fine arts , painting , sculpture and music . Accordingly, in this study, we attempt to exploit the commonalities of these two arts, architecture and cinema, by reinterpreting the views and cinematic elements of the Iranian author, Abbas Kiarostami, and adapting them to the views of leading architects, historians, and critics of architecture. Consider the basic concepts of exposure to artwork and criticism of artwork. From the conceptualization and the conceptualization steps to the imagination and creation of the work we have studied and compared the originality of the idea and the reading of the work of Kiarostami s ideas with the architectural ideas. In the end, we can come to the similarity in cinema and architecture based on Kiarostami s view that interpretation of artwork is inevitable and, of course, the life cycle of a artwork is not limited to the idea of creation but its exploitation and viewing as part of the process of creation and Its development.

Keywords : kiarostami cinema architecture artwork